Along with having Peter Graves, of “Mission Impossible” and “Airplane” fame as the leading man, that is. Tall, blond, dressed in a little sweater-vest that made him so totally domesticated that his image alone might explain the hippy rebellion of the 60’s, he did add some interest to the film. Again, though, its greatness – as I see it - was exactly in the over-the-top message: the commies are evil; they are plotting to control the world; and most importantly, they are coming (or would like to come) to crush our all-American religions. Objectively, all but the first was unquestionably true, and the first certainly WAS true from a classic American perspective, but it is the last bit that most interested me - and just how it was presented, and by Martians, no less.
The plot is based on Grave’s invention, a communication device run by hydrogen that has such power (in 1952, that is all one needed to say: “holy crap – Hydrogen! – it’s gotta be powerful!”) that its signals can reach Mars. He tries Morse code for some time before he starts getting code back – code that can be deciphered into messages! The Army gets involved, and with that, the press, and with that, the whole world learns of it and becomes entranced. Back in the USSR and the Eastern Block, however, they realize that getting these messages first can only give their enemies an advantage. Fortunately, they find a former Nazi scientist in Poland or some other Slavic nation who also has a hydrogen-powered radio. With this, he is able to listen in on the American radio, and even receive the messages before the Americans. And, oh, these messages are doosies! The Martians tell the Earthlings that on Mars they have increased the yield per acre 1,000 fold, so that they have no hunger; this causes the futures market on grain to collapse on Earth. Then they tell the Earthlings that all their machines run on “cosmic” energy, making it universally cheap, which sends the oil and coal industries to the bottom of the market. The free world reels from this, and the wicked communists with their Nazi scientists are thrilled.
But then comes the great question. Spurred on by his faithful and compassionate wife, Graves asks the Martians: with all that power, how do you not blow yourselves up? Reply the Martians: because we have taken to heart the words of the master who brought to us the same message that he brought to you some 2,000 years (7 Martian lifetimes) ago. Why did WE not listen? Why did WE not understand the significance of the Sermon on the Mount?
Ho – boy – that changed everything. The free world went back to church in droves, and more importantly, the suppressed masses of Godless Eastern Europe dug up their icons and vestments and Bibles to revive what the commies had taken away. They were shot by the thousands, but the numbers, and God, prevailed. Thus, thanks to the revival of God in Eastern Europe, the Soviet Union fell.
That is the amazing part of the movie, because in time it turned out to be true. The fall of the Soviet Union was presaged by a religious movement in Poland that was given its greatest power – the power of Right - by the Catholic Church in the form of Cardinal Karol Wojtyla, who rallied the people to maintain their faith in the eventual triumph of the spirit. Because of his resoluteness in the face of Soviet hostility, the Cardinal was made Pope (John Paul II) in 1978. Now as the highest (human) power of the Church, he exhorted the Poles to maintain pressure on the government through their continued faith, which became a rallying cry behind the Solidarity Movement of the 1980’s. It was this movement which dealt the first great blow to Soviet hegemony. By 1991, the Soviet Union was no more, and religion, even in Russia, came roaring back. Marx’s “opiate of the masses” triumphed over materialist ideology, even in the face of its overwhelming power.
Just like the movie told us. The propaganda, as ridiculous as it sounded, was actually true, making this movie one of the unlikeliest of prophets. As was Sister (to become Saint) Faustina. A Polish peasant, she was called to become a nun from childhood, when she had begun to have visitations of Christ. She fought the hierarchy over her visions, which the Church thought were the hallucinations of a hysteric that were pulling the people away from the stolid dogmas of the Church. As it happened, one such ordinary common Polish person who was pulled towards her was a boy in Krakow named Karol Wojtyla, who worshipped before the painting of a vision she had seen of the Christ. It was this vision that helped to guide Karol’s future actions.
We know now at least one great reason why he was guided, although it sounds ridiculous to say that a painting in a church put out by a renegade nun caused the collapse of an empire. Pure coincidence, and as corny as the movie. And yet, a great empire fell, and it certainly seems likely that its foundations were first shaken by the power of religious faith inspired by a peasant girl in Poland who believed in the Sermon on the Mount and the man who spoke it (Pope John Paul II presided over Sister Faustina’s canonization in 2000).