I go back once again to the comedy-drama ‘Northern Exposure’ of the 1990’s to one particular episode. In it, we have Ed, a young American Indian with aspirations to become a filmmaker, walking around the small Alaskan town of Cicely with his camera. Reversing what white people have long done with the “others,” he is filming white Alaskans’ response to questions about their mythology. In the end, he comes to the conclusion that whites no longer have a proper mythology with gods and creation stories, but instead have the movies. Putting aside those white Americans who still very much have god(s) and creation story(ies), let’s just say that Ed is by-in-large true. Then we would expect Americans, and non-religious Americans in particular, to not only get their clues to the meaning of life from the movies, but also to get their heroes or role models from them. From these, they would receive choices for how they wish to behave or at least portray themselves to others.
Let’s start with John Wayne, aka, the Duke, one of the greatest prototype for males from about the 1930’s through the 60’s. Out sized, big, swaggering and loud, he stands out immediately in every crowd. He does not start a fight but is more than happy to finish it, as long as the opponent is both strong and wrong. He accepts common failings such as drinking and womanizing, but is held to a strict code of humanized warrior ethics. He does not shirk from duty, but is not afraid to go against the system if it violates his principles of honor and personal freedom. And he most assuredly does not back down from difficulties, whether in the physical or the social realm. He willingly puts his life on the line to uphold his principles, for without principles, his life would be meaningless.
We largely did away with John Wayne’s anachronisms in the late sixties, but his prime virtues live on in the cinematic and TV heroes today. Now, women also have true grit, and for the more edgy, so do gays and even trannies. While superficial elements have changed, the core values of honor, courage, and self-sacrifice remain, despite blow-back from certain groups that continue to tear at the American aspects of this model, be that the use of guns or the expression of cultural privilege. With all the changes we have seen in the past sixty years, The Duke’s movie persona has remained a durable model for America, expanding beyond the male audience rather than shrinking into the rural boonies, as some might think it should.
Now, let’s take Don Knots, aka, Deputy Barney Fife from the old TV series, “The Andy Griffith Show.” A scrawny, nervous man, in this show his badge serves as a crutch for his otherwise cowardly, bullying ways. As a cop, he is the first to abuse his rank to round up weak and minor miscreants, but he trembles before real criminals. He shrieks at those who might jay-walk, but has difficulty even pulling the gun from his holster with his trembling hands when danger confronts him. He is the perfect foil for Sheriff Andy, who is calm, lets minor things go when possible, and is unflappable when confronted with difficult situations or people.
Barney is there for us to laugh at. We might not be as brave or calm as Andy but we certainly are not as cowardly and bullying as Barney. He serves as our counter-weight, a character we wish most whole-heartedly to never be, even as we struggle to be Andy, and gaze from far below at the Duke. Even more, while many of us might be content to slink back into the corners in our mediocrity, no one likes to be laughed at against his intentions. That is the sharpest rebuke of all.
The Duke is not everybody’s hero; we might look towards deeper (and real) role models such as Gandhi or Jesus. Still, the bravery and self-sacrifice for noble values expressed by our heroes is cherished by almost all. But Barney is no one’s hero, as long as he remains Barney. At times in the role as sheriff, and in other roles Don Knots plays on film, he is loved for pushing past his cowardly instincts to enact heroic values, but he is never loved for being the coward. Instead he is mocked and laughed at. We love to laugh at him to assuage our own insecurities, and in that, reaffirm our commitment to the heroic and noble deeds of the Duke, and in this show, to Andy.
We all wish to see ourselves as heroes, or our cause as heroic. In the past, people saw the greater actions around them in terms of their myths. In the present, while many still see national and world events through religious beliefs, here we are accepting Ed’s proclamation that our new collective myth is found in film. When it comes to bravery, then, we are often left to choose from the Duke vs Barney dichotomy. We never wish to see ourselves as Barney, so we must convince ourselves that our roles in major events fall in line with the hero stereotype.
Here is where it gets interesting.
We are now past the panic stage in the Corona Crisis and have fallen into two large camps concerning national and international acts. On the one hand are the “openers” who believe that a vast wave of economic collapse is coming that is much worse than the disease that has caused the world-wide shutdown. They see those who wish to continue to “shelter in place” as trembling cowards afraid to confront the one in 10 or 20 or 50 thousand chance that they might die from the disease when the upcoming rates of poverty might kill far more and will negatively affect everyone. They see themselves as brave, reasonable and independent people proudly stepping forth into the Wild West of social disapproval, willing to put up with doxing and hostility to overcome the fearful “proles” who are willing to give up their freedom to the government for some highly dubious security that will magically protect them from suffering and death - forever. In sum, they see themselves as the Duke or Andy and the rest as the quaking, foolish Barney.
Then there are the “closers” who wish to see the lock-downs continue until everyone is safe. They see themselves as brave people willing to give up the pleasures of the community and the benefits of good wages to “save grandma.” Rather than trembling in place, they, too, see themselves as the hero, as the quietly competent Andy who will not fly off the handle at the mention of personal sacrifice for the good of the country. For them, the Duke image is too aggressive and thoughtless, a destructive force driven by raw ego, but they too see themselves as tough and resilient in a more evolved version of the hero. They do not believe that the Openers are as openly cowardly as Barney, but reflect his twitchy, nervous reactions to danger. They have in effect tweaked the hero prototype and its counter-type to suit a more civilized version of the hero, just as the patriarchal image of the Duke was modified in the 1970’s. With this, the Closers come out as the heroes and the Openers as nervous nellies unable to keep their fear of economic failure and their reckless egocentrism in check for the good of us all.
And there we have it, a dead-lock where the two main opposing sides envision themselves as the hero standing out against the coward. Because both see themselves as heroes, neither will budge, for to do so would mean backsliding over to the cowardly side. Compromise from either side will be hard to reach, for how much economic depression can one side take, or how many dead grandmothers the other? It seems the log jam might only be broken by a truly grave disaster that shows definitively that one side is more right than the other. This is a terrifying probability and it is hard to see how it can be avoided without the mediation of someone in power who is truly impartial and well-intentioned.
When I began this essay I hoped that it could be shown that there was a great spiritual way for all of us to solve this, but it seems that there is only one rather small way: for all of us to pray for the appearance and prescience of the right mediator. For America, this must include the president, but it might not be him who shows the way. Rather, it might be that the necessary prophet will show up at his door and give him the direction he needs. In that case, we need to pray not only for a prophet to appear, but for the king to have the wisdom to listen. In the Judeo-Christian “myth” of the Old Testament, the king often does not have either this wisdom or the good of the people in mind. In such cases, things usually turn out really, really badly
Regardless of what happens, in the end we will see ourselves as heroes, stoic in calamity or joyful in triumph. We should, however, hope for triumph from whichever side it comes. The Duke always had to be courageous, but sometimes he had to admit that he was wrong. Even in the movies, that, too, takes courage.